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101 Monologues for Middle School Actors: Including Duologues and Triologues

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About the Author

For many years, Rebecca Wright wrote and directed drama for middle school and high school students for her church. She co-founded a Christian acting group called One Voice. It was a dream of hers to combine writing, acting, and helping youth.Rebecca currently works in a totally "non-dramatic" profession as a Technical Writer. She has a Bachelor of Arts degree in Communications/Marketing from the University of Kentucky. Whether you are an actor, writer, athlete, or scholar, Rebecca suggests this anonymous quote as a daily mantra: "You aren't finished when you lose; you are finished when you quit."

Product details

Paperback: 149 pages

Publisher: Meriwether Pub; 1 edition (September 1, 2008)

Language: English

ISBN-10: 1566081556

ISBN-13: 978-1566081559

Product Dimensions:

5.2 x 0.5 x 8.2 inches

Shipping Weight: 8 ounces (View shipping rates and policies)

Average Customer Review:

3.8 out of 5 stars

10 customer reviews

Amazon Best Sellers Rank:

#1,018,822 in Books (See Top 100 in Books)

Just what I was looking for my middle school theater class

Handy and arrived quickly, but most of them were too short to use in our forensics program.

I use this in my 6-8 grade classroom all of the time! The monologues are perfectly suited for the age group and are very enjoyable to watch over and over.

I used many of these with a 6th grade performing arts exploratory class. The kids LOVED the choices especially the "duologues" and "triologues". I found them a wonderful resource for teaching perspective, as well.

Great condition, and helpful material.

I think I can really use this for my middle school actors - there was a nice variety in the book.

Excellent resource for beginning monologues. Great for class instruction as well as audition purposes.

The monologues in this book are certainly cute and harmless, but there are better books out there. The pieces in this book are too long, and they read like essays, not drama. There is nothing dramatic about a central idea supported by details.

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